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0 2. Root 6 Chords

Let’s dig into your first root 6 chords! While it can be challenging to master these at first, you will find they are tremendously helpful!

0 1. Introduction

Welcome to the first lesson! If you haven’t downloaded the course book yet, please do so right here. We believe you will find the additional perspective offered by the written material helpful.

0 Ch. 16 – Mixing All Your Options

This is where things start to get really fun, when you know all the options that are available to you, and you’re able to begin making musical choices based on what you want to create!

0 Ch. 15 – Applying Chromatic Passing Notes to the 3-Position Climb

When you combine chromatic notes into the 3-position climb, you’ve got a world of fun at your fingertips!

0 Ch. 14 – Applying Chromatic Passing Notes to A Minor, 1 Position

In this lesson, we’ll be exploring how to apply chromatic passing notes to the “A” minor scale. Chromatic passing notes are notes that are not in the scale of the chord you’re playing, but that are used to create movement and tension in your playing.

By applying chromatic passing notes to your solos, you can create more interesting and dynamic solos that will stand out. We’ll look at different patterns and techniques, like sliding and bending, that can be used to incorporate chromatic passing notes into your music.

0 Ch. 13 – Comparing Pentatonic and Diatonic

In chapter 13, we’ll be comparing the pentatonic and diatonic scales. Both scales are used widely in music, and they each have their own unique qualities.

First, we’ll go over what the pentatonic and diatonic scales are and how they differ from each other. One of the biggest differences between the two scales is the number of notes they contain. The pentatonic scale has only five notes, while the diatonic scale has seven notes. This means that the pentatonic scale is often used for simpler melodies and solos, while the diatonic scale can be used for more complex harmonies and melodies.

Both scales are amazingly useful.

0 Ch. 12 – Chromatic Passing Notes

In chapter 12, we’ll be learning about chromatic passing notes and how to incorporate them into your playing. Chromatic passing notes are a great way to add color and interest to your music, and they can be used in a variety of ways.

To start, we’ll go over what chromatic passing notes are and how they work. Then, we’ll look at some examples of how to use them in different chord progressions, such as creating a descending bassline or adding tension and release in a melody.

Throughout the lesson, we’ll also discuss different techniques, like hammer-ons and pull-offs, that you can use to incorporate chromatic passing notes smoothly into your playing. It’s important to remember that experimenting with different progressions and techniques is key to finding what works best for you.

Finally, we’ll talk about how to practice incorporating chromatic passing notes into your playing. Starting with simple progressions and gradually increasing the complexity is a great way to get started.

I hope you find this lesson helpful in learning about chromatic passing notes and how to incorporate them into your guitar playing. Remember, practice makes perfect, so don’t be afraid to try new things and have fun with it!

3 Ch. 11 – Putting Major & Minor Together

In this lesson, we’ll learn how to mix major and minor scales in your playing. By doing so, you can create tension and resolution, and add interest to your solos.

We’ll look at how to use both scales in a solo, giving examples of when to use each scale. We’ll also discuss how to create tension and resolution by switching between scales.

It’s important to remember that experimenting with mixing major and minor scales is key to finding what works best for you. With practice, you can incorporate this technique into your playing to create a unique and interesting sound.

I hope you find this lesson helpful in learning how to mix major and minor scales in your playing. Remember, practice makes perfect, so keep trying new things and have fun with it!

0 Ch. 10 – Major & Minor Diatonic Overlap

0 Ch. 9 – Relative Major and Minor Diatonic Scales

0 Ch. 8 – Scale Degrees

0 Ch. 7 – Combining What You’ve Learned

0 Ch. 6 – “E” Natural Minor Diatonic Scale

In this chapter, we’ll take the natural minor diatonic scale we learned previously, and discover how to move it to E minor, and also how everything repeats at the 12th fret – a super important principle if you’re playing electric!

0 Ch. 5 – “A” Natural Minor Diatonic Scale

In this chapter, you’ll discover the diatonic scale, which has seven notes instead of the five notes you find in the pentatonic scale. The diatonic scale is super important for understanding music theory, because that’s where we get our scale degrees from, which spins off into a proper understanding of chord construction and all the rest.

0 Ch. 4 – “E” Pentatonic Minor Open, Two Position Climb

Welcome to Chapter 4 of our guitar lessons! We’re working with the E pentatonic minor scale again, learning how to play the scale in two different positions, and the fingering patterns you’ll need to use to move between the positions.

We’ll also go over some essential techniques for playing the E pentatonic minor scale, including hammer-ons, pull-offs, and slides. These techniques can help you add more expression and emotion to your playing, and create more interesting and dynamic solos and melodies.

It’s important to practice the scale in different keys and positions on the guitar, as well as incorporate different rhythms and phrasing patterns.

1 Ch. 3 – The Most Important Solo Scale

Welcome to Chapter 3 of our guitar lessons! In this lesson, we’ll be discussing the most important solo scale that every guitar player should know, the minor pentatonic scale.

The minor pentatonic scale is used in countless songs across various genres of music, from blues to rock to metal. It’s a five-note scale that’s easy to learn and remember, making it an ideal starting point for beginner guitarists.

We’ll begin by discussing the basics of the scale, including its formula and how it’s constructed. We’ll also go over the position of the scale on the guitar fretboard and the fingering patterns you’ll need to play it.

Next, we’ll focus on the practical application of the scale in your playing. We’ll discuss how to incorporate the scale into your solos and melodies, and how to use it to create interesting and dynamic phrases.

0 Ch. 2 – Your First Scale

Congratulations, today you’re learning your first scale! It will be the E minor pentatonic scale. This scale is an excellent starting point for beginners, as it’s easy to play and can be used in a variety of different styles of music.

We’ll go over the fingering and position of the scale on the guitar fretboard, and I’ll demonstrate how to play it. We’ll also discuss how to read guitar tablature, which is a notation system used to represent guitar music.

1 Ch. 1 – A Talk About Scales

In chapter 1, we’ll be discussing the basics of scales and their importance in music. Understanding scales is essential for any musician, as they provide the foundation for melody and harmony in music.

Scales are a series of notes arranged in a specific pattern that define the key and tonality of a piece of music. They’re used to create melodies, harmonies, and chords, and they are literally the framework we work from when creating solos.

The major scale is a bright and cheerful scale that’s often used in pop and rock music. The minor scale, on the other hand, is a darker and more somber scale that’s often used in blues and metal music.

0 BONUS: Advanced Scale Integration

Wow! You’ve made it through the course, congratulations! We wanted to give you a little bonus that could really help you take everything you’ve learned even farther. In these two bonus lessons, you’ll discover a simple way to use scale patterns you’re already familiar with to cover the entire fretboard, with just some very small little tweaks.

Before you get started on the lessons, download and print off the tabs, right here.

0 Song 6 – Love U.

Our last song was inspired by Buddy Guy’s Let Me Love You Baby, and it really rocks! It’s very different from our other tunes, because it relies on a rhythm-riff to establish the rhythm. We’re going to do a normal solo for it, but we’re also going to take the opportunity to work around the pockets created by the rhythm riffs. This song is pretty quick, so there are two versions of the jam track available.