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How to Play Expressive Riffs in Open G Slide Tuning (3/3)

If you’ve been following the Open G tuning series, you’ve already tuned up, found your I–IV–V chords, and explored a few slide basics.

In this third and final lesson, we dive into how to turn that foundation into music—with simple riffs, expressive single-note lines, and even a boogie-woogie shuffle pattern that fuses rhythm and lead.

Working primarily on the 2nd and 3rd strings, you’ll learn how to:
• Build riffs right from your chord shapes
• Target the major third to bring out the flavor of each chord
• Slide smoothly and stay on pitch
• Develop picking precision and rhythmic variety
• Combine boogie-style fretting with slide licks

Colin also explains why finger choice matters, how to keep your tone clean, and how to mix slide with traditional fretted parts for more dynamic playing.

Why Slide Guitar in Open G Tuning Is So Rewarding

Once you get the hang of it, open G slide guitar opens the door to a whole new sound — rich with sustain, expression, and character you just can’t get from standard fretting alone.

Here’s what you’ll gain by learning this style:

🎸 Greater Expressiveness – Learn to bend, glide, and sing between notes in a way that brings your playing to life
🎸 Instant Chord Voicings – Play full-sounding chords with just one finger or a single bar
🎸 Creative Riffs at Your Fingertips – Build melodic lines directly from your chord shapes using major thirds and open positions
🎸 Better Feel and Groove – Develop your picking control and rhythmic instincts using classic blues patterns
🎸 Confidence with Tuning and Technique – Know exactly where your notes are, how to dial in your tone, and how to avoid the common pitfalls most beginners struggle with

Ready to Go Deeper?

If you’re enjoying this series and want to dive into more techniques, licks, and practical slide workouts — we’ve got a full course that walks you through everything.

👉 Check Out the Full Slide Guitar Course Here:

Taking Open G Further: Sliding Through the 1–4–5 (2/3)

In this follow-up to our first Open G tuning lesson, we dive deeper into what you can actually do once you’re tuned up and ready to go.

In this video, we’ll explore:
• How to understand and use the 1–4–5 progression (G, C, D)
• Why this combo is so important across blues, rock, and country
• Playing the chords fretted or with a slide – your choice
• Tips for adding muting and distortion for better tone and control
• How to make your playing more expressive with alternate bass strumming

If you’re still new to the Nashville Number System or unsure how to play rhythm and lead in Open G, this lesson will open some important doors. And it might just make your slide guitar playing sound a whole lot cooler, too.

This is just one of three free lessons introducing slide guitar in Open G. If you’re ready to take your skills further, check out the full Essentials of Slide Guitar course — a complete training series designed to walk you through everything from tuning and setup to riffs, rhythm, and slide solos.

👉 Grab the full course here:

Getting Started with Slide Guitar in Open G Tuning (1/3)

If you’ve ever been curious about Open G tuning—or how slide guitar works in it—this is a great place to begin.

In this video, Colin Daniel walks through exactly how to get your guitar tuned to Open G (D G D G B D), explains why this tuning is so effective for slide playing, and shows you the basic chord shapes you’ll use most often.

We’ll also look at finger choice for the slide (and why Colin prefers his “bad boy” finger), talk about muting techniques to clean up your tone, and demonstrate a few expressive ways to start moving between chords using the slide.

This is a hands-on lesson, so grab your guitar, get tuned up, and follow along.

In this video, you’ll learn:
• How to tune to Open G Major
• Why this tuning is ideal for slide guitar
• The I–IV–V chord positions in Open G (G, C, and D)
• Basic muting and tone control techniques
• How to combine slide lines with fretted intervals
• And how to start playing simple musical ideas with great feel

Want to go deeper with slide guitar?
This video is just the beginning.

If you’re ready to take your playing further, check out the full course:

The Joker – Steve Miller 1/3

Hey there! I'm Colin Daniel, and in this free three-part series, I'm going to show you how to play The Joker as a complete one-guitar arrangement.

This is the same teaching approach I use in my Easy Strumming Songs course, where I teach you 10 beloved classics just like this—complete arrangements designed for solo guitarists who want to play at campfires, family gatherings, and anywhere people love to sing along.

Watch the lesson below, then I'll show you how you can master ten more songs using this exact same approach.

What You're Learning in This Free Lesson:

In this series, I'm showing you how to arrange The Joker into a fun one-guitar performance using simple chords (G, C, and D) with a full-step down tuning.

You'll learn:

  • How to make the song "recognizable" even without a full band
  • Multiple chord voicing options so you can choose what works for you
  • The exact strum pattern that captures the original feel
  • How to handle the intro with a cool percussive technique
  • An arrangement structure so you can actually perform it, not just play parts of it

This is exactly how I teach all 10 songs in Easy Strumming Songs.

Want to Build a Full Repertoire Like This?

Right now, you're learning one song. But imagine having 10 complete arrangements just like The Joker—songs everyone knows and loves to sing along with.

In Easy Strumming Songs, I teach you classics like:

  • American Pie (Don McLean)
  • Blowin' in the Wind (Bob Dylan)
  • Country Roads (John Denver)
  • Free Fallin' (Tom Petty)
  • Sweet Caroline (Neil Diamond)
  • And 5 more

Each song gets the same detailed treatment you're seeing in this Joker lesson:

  • I show you complete arrangements from start to finish
  • I give you multiple voicing options for different skill levels
  • I teach you strumming patterns that capture the original feel
  • I share performance tips so you know how to present each song
  • You'll learn techniques you can use in dozens of other songs

Here's the difference:


Knowing fragments means freezing when someone says "play something."


Having a real repertoire means confidently reaching for your guitar and giving people songs they actually want to hear.


After 45 years of teaching, I've seen this transformation happen thousands of times. These 10 songs can do that for you.

A Quick Note:


I created Easy Strumming Songs because I kept hearing the same frustration from students: "I know parts of songs, but I can't play anything all the way through."


Sound familiar?


That's what these lessons fix. You'll get complete arrangements—every verse, every chorus, every transition—taught the same way I'm teaching you The Joker right now.


No guessing. No hunting for tabs. Just clear, complete instruction from start to finish.

The Joker – Steve Miller 2/3

Hey there! In this second lesson, I'm going to show you the chorus, the bass line for the solo section, and how the whole arrangement fits together.

This is where things get fun—you're going to learn how to make this song sound full and complete, even as a solo guitarist. And this is exactly the kind of detail I put into every song in Easy Strumming Songs.

Watch the lesson below, then stick around—I'll show you how you can get 10 more complete arrangements just like this one.

What You're Learning in This Free Lesson:

In this lesson, I'm teaching you the meat of The Joker—the chorus that everyone sings along with, plus the instrumental solo section.

You'll learn:

  • The two-beat rhythmic pattern that captures the chorus feel
  • How to handle the unusual 9-bar chorus structure (most songs don't do this)
  • The bass line from the G major scale that makes the solo section work
  • The complete arrangement structure so you know what comes when
  • How to end the song properly when you're performing live (instead of just fading out)

This is the kind of complete instruction you get for all 10 songs in Easy Strumming Songs—not just "here are the chords," but how to actually perform the song.

Want to Build a Full Repertoire Like This?

Right now, you're learning one song in depth. But imagine having 10 complete arrangements just like The Joker—songs everyone knows and loves to sing along with.

In Easy Strumming Songs, I teach you classics like:

  • American Pie (Don McLean)
  • Blowin' in the Wind (Bob Dylan)
  • Country Roads (John Denver)
  • Free Fallin' (Tom Petty)
  • Sweet Caroline (Neil Diamond)
  • And 5 more

Each song gets the same detailed treatment you're seeing in this Joker lesson:

  • I show you complete arrangements from start to finish
  • I teach you how to handle the tricky parts (like that 9-bar chorus)
  • I give you bass lines and techniques to make songs sound full
  • I walk you through the entire arrangement so you know what comes when
  • I show you how to end songs properly for live performance

Here's what makes this different:

Most tabs and YouTube lessons give you chords and maybe a strum pattern. But they don't teach you how to actually perform the song—how to structure it, how to make it recognizable, how to end it when you're playing for people.

That's what I do in Easy Strumming Songs. You get the complete picture, just like you're seeing here with The Joker.

Why Complete Arrangements Matter:

After 45 years of teaching, I've seen this pattern over and over: guitarists learn bits and pieces of songs, but they can't actually play anything all the way through.

They know the intro to American Pie. They know part of the verse to Hey Jude. But when someone says "play something," they freeze—because they don't have complete, performable arrangements.

That's what these lessons fix. In The Joker, you're learning the intro, the verse, the chorus, the solo section, the arrangement structure, and how to end it. Everything you need to actually play it for people.

That's what I do for all 10 songs in Easy Strumming Songs.

The Joker – Steve Miller 3/3

Welcome to the final lesson in our series on The Joker! In this one, I'm going to show you how to combine the bass line with the chords to make the song sound rich and full—like you've got a whole band backing you up.

This is the "secret sauce" that takes your playing from basic strumming to something that really sounds professional. And this is exactly the level of detail I put into every song in my Easy Strumming Songs course.

Watch the lesson below—then I'll show you how you can get 10 complete songs taught with this same depth.

What You're Learning in This Final Lesson:

This is where everything comes together. I'm teaching you how to integrate the bass line with your chord playing—so you sound like multiple guitars at once.

You'll learn:

  • How to substitute bass notes with chord strums (makes it easier and still sounds great)
  • Why those alternate chord voicings from lesson 1 are a "real bonus" for this technique
  • The finger-anchoring trick that lets you switch smoothly while keeping the bass going
  • Multiple approaches to combining bass and chords (none are "wrong"—pick what works for you)
  • How to be creative with the integration instead of just following tab robotically

This is what separates complete arrangements from just "playing chords." You're learning how to make one guitar sound full and complete.

You've Just Seen My Complete Teaching Method

Over these three lessons, you've learned:

  • Complete chord progressions and multiple voicing options
  • Strumming patterns that capture the original feel
  • How to handle unusual song structures (like that 9-bar chorus)
  • Bass lines and solo sections
  • Arrangement structure from start to finish
  • How to combine techniques to sound like a full band

That's exactly how I teach all 10 songs in Easy Strumming Songs.

Not just "here are some chords." But complete, performable arrangements with every detail you need to confidently play these songs for people.

Songs like:

  • American Pie (Don McLean)
  • Blowin' in the Wind (Bob Dylan)
  • Country Roads (John Denver)
  • Free Fallin' (Tom Petty)
  • Sweet Caroline (Neil Diamond)
  • Stand By Me (Ben E. King)
  • Mrs. Robinson (Simon & Garfunkel)
  • Hey Jude (The Beatles)
  • Margaritaville (Jimmy Buffett)
  • Stir It Up (Bob Marley)

Each one gets the same three-dimensional treatment you just experienced with The Joker.

Here's the difference:

You just spent time learning ONE song with this level of completeness. Imagine having TEN songs like this—a real repertoire you can pull out whenever someone says "play something."

That's what Easy Strumming Songs gives you.

After 45 Years of Teaching, Here's What I Know:

Most guitar players learn fragments. A cool intro here. Part of a verse there. But they never have complete songs they can confidently play from start to finish.

You just experienced something different with The Joker. You learned the intro, the verse, the chorus, the bass line, the solo section, how to combine techniques, and how to structure the whole arrangement.

That's a complete song. Not a fragment.

Now imagine having 10 of these. Songs everyone knows. Songs that get people singing along. Songs you can play from memory without hesitation.

That's the difference between noodling in your bedroom and actually being able to share music with the people you care about.

Easy Strumming Songs gives you exactly that—10 complete arrangements, taught with the same care and detail you just saw.

The only question is: Are you ready to build that repertoire?

P.S. - You've Already Invested the Time

You just spent time learning The Joker across three detailed lessons. You know my teaching style works for you. You know you can follow along and actually learn complete songs.

Don't let that investment stop here. Take what you've experienced and multiply it by 10—that's what's waiting for you in Easy Strumming Songs.

Sitting On The Dock Of The Bay 1/2

In this two-lesson series, we’re going to look at the arrangement for Sitting On The Dock Of The Bay, a famous Otis Redding song. In this lesson, we’ll also learn a little bass line that really adds some authenticity to the progression, sounds cool, and is fun to play as well.

Sitting On The Dock Of The Bay 2/2

This is the last lesson in our two-part series on Sitting On The Dock Of The Bay, by Otis Redding. In this lesson, we’ll look at the progression for the bridge, as well as how we can use bar chords at different places throughout the song to add some variation. If you’ve struggled playing bar chords before, you’ll find some helpful tips in here that might just make all the difference for you!

Adding A Better Strum

In this lesson, we’ll build on what you’ve learned already, and add a more interesting strum pattern so this progression begins to sound more like a song.

If you need a refresher on the chords, those diagrams are down below as well.

If you’ve got questions or comments, please leave them down below. If you’re ready to take your guitar playing to the next level, checkout the Definitive Beginner’s Guide To Acoustic Guitar.

Lesson 1: Start Playing Real Blues — Even If You’re Just Beginning

This lesson is your first step toward playing real blues — not exercises, not theory dumps, just the good stuff. If you’ve ever felt stuck or unsure how to sound “right” on electric guitar… you’re in the right place.

In this first lesson, you’ll learn a simple but powerful riff inspired by Mannish Boy — using just three notes and a solid groove. We’ll start slow, break down the picking, and show you how to count in and keep things clean. This is the foundation of everything that follows in the series.

  • How to play the core 3-note blues riff

  • How to count into a groove like a real blues player

  • Why down-up picking builds good habits early

  • How to keep your notes clean with simple muting

🔥 Ready to Go Beyond This Lesson?

Get the full step-by-step course that teaches you how to sound like a real electric blues player — not just play random licks.

Slow Blues Guitar Solo Challenge 1/5

Welcome to Day 1 of our 5 Day Challenge! Today we're going to look at two different scale patterns that will not only lay the foundation for the solo we learn this week, but also for all the solos you'll play afterwards on different songs. The scale is SO important! Don't forget to grab a copy of the jam track and tab below. 

Slow Blues Guitar Solo Challenge 2/5

It's day 2! I hope you've been practicing your scales, because today we're diving right into the riffs, and they really relate closely to those scale patterns. 

Slow Blues Guitar Solo Challenge 3/5

After today you're more than halfway through! We're learning more riffs, and taking this solo a few bars further. If you need to review any of the previous lessons, the links are here:

Day 1 | Day 2

Slow Blues Guitar Solo Challenge 4/5

Alright, you're nearly there! We're learning more riffs again today, and taking this solo a few bars further. If you need to review any of the previous lessons, the links are here:

Day 1 | Day 2 | Day 3

Slow Blues Guitar Solo Challenge 5/5

This is it! The last lesson in our 5 day challenge! Congrats for making it this far, today we're going to wrap it all up and complete the solo. 

If you enjoyed learning this solo, I can help you take your soloing so much further, using this exact same process, in my Ultimate Blues Solos course. This challenge is actually the perfect primer course to lead into the larger one. 

Click here for Ultimate Blues Solos 

How to Add Instant Depth to Your Solos (With Just One Open String)

Ever notice how your solos can sound thin, even when you’re hitting the right notes? That’s because single-note lines lack harmonic depth.

Here’s the trick your heroes used: play your melody on the B-string while letting the high E drone ring out underneath. Suddenly, your guitar doesn’t sound like one lonely line anymore — it sounds full, rich, alive… like two guitars at once.

What You’ll Learn in This Lesson

• A classic 6-5-4 progression (Am → G → F) — same backbone as Stairway to Heaven and Watchtower
• How to combine diatonic + pentatonic scales vertically on one string
• A hammer-on + drone technique that makes your solos instantly sound bigger
• Ways to connect scale positions smoothly without sounding “boxy”

🎸 Practice Resources For This Lesson 🎸

Jam Track — Play Along Now

Diatonic Tab:

Pentatonic Tab:

💡 Pro tip: Blend the two. Pentatonic gives space and grit, diatonic fills in smooth steps. Together, they unlock melodies that sound pro.

Go Deeper: Unlock the Drone Riffs System

What you just learned is one piece of a much bigger puzzle. Hendrix and Van Halen didn’t just play single notes — they used drone techniques to make one guitar sound impossibly full.

That’s what the Drone Riffs Course (The Guitar Player’s Bag of Riff Tricks) is all about. The vertical trick you just learned is just the beginning — in the full course, you’ll discover how pros like Hendrix, Van Halen, and Petty expanded this into their signature sounds.

Inside, you’ll discover:

• The Van Halen “Double Guitar” Effect — how he layered sound on Ain’t Talkin’ ’Bout Love
• Hendrix’s Voodoo Child Secrets — the drone patterns that made his solos legendary
• The “Raised 6th” Transformation — Tom Petty’s mysterious minor-scale twist
• Cross-Key Soloing — a pro move that adds instant color (most players never learn it)

This isn’t theory for theory’s sake. It’s 2+ hours of practical methods with jam tracks and tab that make your solos sound professional right away.

Switchbacks Made Simple: Vertical Riffs Tricks (Lesson 2)

Ever get stuck in box patterns when you solo? In this lesson, we’ll build on the vertical riff idea (B-string + E drone) and add a new tool: switchbacks. These descending three-note groups help you break out of rigid scale shapes and connect positions smoothly. Plus, we’ll put it all together in a 6-bar solo over the jam track.

What You’ll Learn in This Lesson

• The difference between melodic vs harmonic drone approaches
• How to use switchbacks (groups of 3 notes) to descend and restart through the scale
• A riff that carries you from the 15th fret all the way to open strings
• How to join two different scale positions seamlessly
• A 6-bar solo riff you can play over the jam track

🎸 Practice Resources For This Lesson 🎸

Jam Track — Play Along Now

Groupings:

Riff Options:
Both bars have the same riff, but one starts on beat 1, the other on beat 2.  

💡 Pro tip: Switchbacks are great for breaking out of rigid “box” patterns. They force your fingers and your ear to think in connected lines instead of shapes.

Go Deeper: Unlock the Drone Riffs System

The switchback idea you just learned is one small part of a much bigger system. Hendrix, Van Halen, and even Tom Petty used drone-note tricks like these to make a single guitar sound impossibly full.

Inside the Drone Riffs Course (The Guitar Player’s Bag of Riff Tricks), you’ll discover:

• The Van Halen “Double Guitar” Effect from Ain’t Talkin’ ’Bout Love
• Hendrix’s Voodoo Child Secrets — drone patterns that built legendary solos
• The Raised 6th Transformation — Tom Petty’s minor-scale twist
• Cross-Key Soloing — a pro approach that adds instant color (most players never learn it)

Melodic Runs + Harmonic Twists in the Key of E (Lesson 3)

Welcome back! In this lesson, Colin Daniel from RiffNinja.com shows you how to combine the E major scale on the B string with the open E drone, creating a powerful riff trick inspired by John Fogerty’s “Hey Tonight.”

You’ll learn how to switch between melodic runs and harmonic phrasing, and how the C# minor scale (relative minor of E major) fits perfectly with this approach.

👉 By the end, you’ll have a foundation for a 4-bar solo that blends both styles — and you’ll be ready for Lesson 4 where we put it all together.

Key Takeaways

• The E major scale on the B string gives you a strong melodic foundation.
• You can play it melodically (picked notes) or harmonically (double-stops).
• The C# minor scale connects seamlessly since it’s the relative minor.
• This approach creates a “Fogerty-style” riff sound — perfect for classic rock textures.

🎸 Practice Resources For This Lesson 🎸

Jam Track — Play Along Now

Go Deeper: Unlock the Drone Riffs System

What you just learned is one piece of a much bigger puzzle. Hendrix and Van Halen didn’t just play single notes — they used drone techniques to make one guitar sound impossibly full.

That’s what the Drone Riffs Course (The Guitar Player’s Bag of Riff Tricks) is all about. The vertical trick you just learned is just the beginning — in the full course, you’ll discover how pros like Hendrix, Van Halen, and Petty expanded this into their signature sounds.

Inside, you’ll discover:

• The Van Halen “Double Guitar” Effect — how he layered sound on Ain’t Talkin’ ’Bout Love
• Hendrix’s Voodoo Child Secrets — the drone patterns that made his solos legendary
• The “Raised 6th” Transformation — Tom Petty’s mysterious minor-scale twist
• Cross-Key Soloing — a pro move that adds instant color (most players never learn it)

This isn’t theory for theory’s sake. It’s 2+ hours of practical methods with jam tracks and tab that make your solos sound professional right away.

Vertical Riff Trick with a Solo in E Major (Lesson 4)

Ready to add some serious flavor to your riffs? In this lesson, Colin shows you a slick vertical riff trick in E major — then takes it a step further by shifting the melody across strings, mixing in harmonic intervals, and capping it all off with a short but powerful solo. This one’s all about getting that full, rich sound that makes your playing stand out.

Key Takeaways:

In this lesson, Colin takes you deeper into vertical riff tricks:

• Shifting melody lines across the B and G strings for richer phrasing
• Mixing melodic and harmonic intervals to create full, ringing riffs
• Building and playing a 4–bar solo in E major using these techniques
• How to practice seamlessly with the included jam track

This isn’t just a “play it once and forget it” lick — it’s a technique you can integrate into your solos and riffs right away.

🎸Practice Resources For This Lesson 🎸

Jam Track — Play Along Now

Solo Tab:

Go Deeper: Unlock the Drone Riffs System

What you just learned is one piece of a much bigger puzzle. Hendrix and Van Halen didn’t just play single notes — they used drone techniques to make one guitar sound impossibly full.

That’s what the Drone Riffs Course (The Guitar Player’s Bag of Riff Tricks) is all about. The vertical trick you just learned is just the beginning — in the full course, you’ll discover how pros like Hendrix, Van Halen, and Petty expanded this into their signature sounds.

Inside, you’ll discover:

• The Van Halen “Double Guitar” Effect — how he layered sound on Ain’t Talkin’ ’Bout Love
• Hendrix’s Voodoo Child Secrets — the drone patterns that made his solos legendary
• The “Raised 6th” Transformation — Tom Petty’s mysterious minor-scale twist
• Cross-Key Soloing — a pro move that adds instant color (most players never learn it)

This isn’t theory for theory’s sake. It’s 2+ hours of practical methods with jam tracks and tab that make your solos sound professional right away.

Under The Boardwalk: Progression

In this lesson we're going to look at the chord progression and strum pattern for Under The Boardwalk, by the Drifters. If you're looking for a fun song to play for your friends and have them sing along, this is a great choice.

For more songs like this, checkout Easy Strum Classics.

Verse chords:

Chorus chords:

Strum pattern:

Under The Boardwalk: Bass Line Riff

In this lesson we're going to look at the bass line riff for Under The Boardwalk, by the Drifters. (In case you missed the first lesson, you might want to check that one out first). You can use this for a cool intro if you want, or extend it further and use it for a whole verse too. The riffs are below - note that they are not arranged how you would play them in the song, but rather, show the riff for each chord change. You can put them into the arrangement yourself, quite easily.

For classic songs like this, checkout Easy Strum Classics.

Looking Out My Backdoor: Part 1

In this lesson we're going to look at the chord progression and strum pattern for Looking Out My Backdoor, by CCR. This uses familiar chords, and a cool muted strum pattern that you'll be able to apply to other songs as well.

For more songs like this, checkout Easy Strum Classics.

Verse chords:

Chorus chords:

Looking Out My Backdoor: Part 2

This is the second part to our series on Looking Out My Backdoor, by CCR. This uses familiar chords, and a cool muted strum pattern that you'll be able to apply to other songs as well. In this one, we cover the key change, the change in tempo, and general arrangement.

For more songs like this, checkout Easy Strum Classics.

Key Change/Instrumental:

Verse 2:

2nd Half of Verse 2, Slowed Down:

Lesson 2: Nail the Shuffle Feel That Makes Blues Swing

This is the second lesson in our five-part blues riff series, inspired by Mannish Boy by Muddy Waters. Designed specifically for beginners, this lesson focuses on using a power chord and shuffle rhythm to lock in that signature chugging groove that makes electric blues feel alive.

🔥 Ready to Go Beyond This Lesson?

Get the full step-by-step course that teaches you how to sound like a real electric blues player — not just play random licks.

Lesson 3: Add Flavor to Your Blues — Make the Riff Your Own

In this lesson, we’re going to spice things up. You’ll learn how to make the riff more expressive by adding a new note, stretching a bend, and muting with your picking hand for clarity. It’s all about learning how to say more with the notes you already know — just like Muddy did.

Here's what you'll learn:

  • How to add an extra note to boost rhythmic feel

  • The “semitone stretch” that adds bluesy tension

  • How to mute with your palm to clean up distorted playing

  • Why adding dirt (distortion) changes how you control your tone

🔥 Ready to Go Beyond This Lesson?

Get the full step-by-step course that teaches you how to sound like a real electric blues player — not just play random licks.

Lesson 4: Break Out of the Box — Move Your Blues Up the Neck

In this lesson, you’ll learn how to expand the Mannish Boy-inspired riff by moving it up the neck using double stops. This creates a whole new sound and adds character to your playing — perfect for keeping a jam from sounding repetitive. You’ll also learn how to switch back and forth between riff positions using the open A string as your anchor.

Here's what you'll learn:

  • How to play a double stop riff using fourth intervals

  • How to move riffs higher up the neck without losing groove

  • How to use the open A string to time your switch

  • A practical way to avoid repetition during blues jams

🔥 Ready to Go Beyond This Lesson?

Get the full step-by-step course that teaches you how to sound like a real electric blues player — not just play random licks.

Lesson 5: Final Touches — Bring It All Together With Confidence

You’ve built the groove, added your flavor, and learned how to move around. Now it’s time to wrap it up — literally. In this lesson, you’ll learn how to start and end your blues riff like a real song, complete with a hammer-on, a simple A7 chord, and some performance tips to bring it all together.

Here's what you'll learn:

  • A bluesy ending riff that adds finality and style

  • How to use hammer-ons (C to C#)

  • A simple A7 chord that works perfectly as a closer

  • How to string together everything from the series in a musical way

  • The mindset behind jamming and storytelling in blues

🔥 Ready to Go Beyond This Lesson?

Get the full step-by-step course that teaches you how to sound like a real electric blues player — not just play random licks.

5 Keys Quick Reference Cheat Sheet

Here's the download link for the 5 Keys Quick Reference Chords Cheat Sheet.

>> Click Here To Download <<
(Right Click, Save As)

In the Quick Reference booklet, you'll find easy to use diagrams for the six primary chords in each of the five most common keys used on guitar: A, C, D, E, and G. 

Ready to take your guitar playing to the next level? Checkout The Definitive Beginner's Guide to Acoustic Guitar - it's the same course Lowell is talking about below!

I am fulfilling a 40 year desire to play guitar

Well I like the fact that you have taken time to think like a beginner... I was just that as of Jan 20, 2016.

I am now a beginner with knowledge about guitar playing... can I play the guitar? No. Do I know chords? Yes, with just a little visual prompting.

I drew out the chord charts on a large piece of cardboard, and kept them in the relative major and minor groups. I took your advice and became creative in my approach.

My problem in this creative journey is muscle memory for the chord shapes... practice practice practice...

I like the fact that you have gone into the exact chords as in Sweet Home Alabama.

Colin I am totally happy with this course... oh what does one do about the left hand calluses? I look forward to the day that I am ready to play blues music. I am also fulfilling a 40 year want - to play guitar, sooo wish I had done this earlier in my life.

Thank you for your time and keep ROCKIN!


Lowell Evan Smith


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